He is driven backward into Raven, who has reverted to her normal proportions, and both tumble to the catwalk as the monster advances.) She emerges, many times taller than normal, behind the brown behemoth and opens her arms so that Cyborg can charge from the lightless interior, but it meets his attack with a bone-rattling roar. (Slipping up behind Cyborg, Raven swings out her cloak to envelop him and drops them both through the catwalk an instant before the huge green dinosaur skids in.
Now Cyborg's sonic cannon comes into play with a head shot, but this has no apparent effect and the beast simply hurls Beast Boy toward the big man.) The changeling comes down as a triceratops and lets his horns smash into the huge brown head just as quickly, he takes the form of an ankylosaurus and swings his clubbed tail only to have it caught. In midair, Beast Boy turns into a kangaroo, which Cyborg seizes by the tail and slings to the catwalk. They leap clear, at which point the platforms turn into darts that strike the monster with explosive force. As the beast thunders toward them, Raven creates energy platforms for Beast Boy and Cyborg to ride and sends the pair on ahead. The creature that knocked the lights back out drops onto it, ready for another round, and the Titans have gathered to face it.) (Opening shot: an intact catwalk within the space station. They sit up with a round of woozy groans.) Cut to just outside them briefly, then back to the Titans as the debris stops falling.
Next, the control panels short out again and the wide observation windows crack as the ceiling begins to cave in. One by one, each Titan is swept off his/her feet and flung screaming across the station. Cyborg does his best to stand against the onslaught, but the stress proves too great for his circuits and they start to blow out. (Pull back as it looses a thundering roar that shatters all the lights and tears up the catwalk leading to the repaired communications equipment. Thick arms, spindly legs, large stumpy body with no visible neck, deep-set eyes, hide in two different shades of brown, wide drooling mouth that made a mess of Raven's hood.) (Pull back again to frame the thing whose silhouette climbed along the ceiling, then cut to a close-up. (A glob of liquid drops onto the hood of Raven's cloak, bringing everyone up short pull back as they look upward.) Robin: Why would somebody trash the communications station? (The rest of the team heads back toward the ship at a wave from him. Pan to frame him.)Ĭyborg: (wipes his hands) She's purring like a kitten. As it passes o.c., the lights come on thanks to Cyborg's repair work the other four smile and a panel winks to life while he pats it lovingly. (During this line, a large shadowy form clambers along the support framework overhead, unnoticed by the Titans. In no time flat, he is on his back and working furiously at the circuitry.)Ĭyborg: I've just gotta cross the conjoining wires with the transistor couplers, connect the oscillator to the main data port, (straightening up with his hands and makes one last hookup) and we're good to go.īeast Boy: (to Robin) Can't he ever just speak English? (He retracts both hands into the forearms and extends an impressive array of tools from each. (Pan ahead.)Ĭyborg: (cracking his knuckles) No problem. (Pull back out of the hole.) We've got a malfunctioning bifurcating dialator. Cyborg leans in for a good close look at the damage.)Ĭyborg: I knew it. Raven is the only one without a flashlight. (Cut to inside one of the damaged control panels, the camera pointing out at all five Titans. She, too, has a light and fingers some of the dangling wires he has his shoulder flash at work.) Robin: Looks like we've found out why communication relays from this space station have stopped. (The flash is in Robin's hand he moves ahead, as does Beast Boy with one of his own.) Cables hanging from ripped-out overhead panels, sparks crackling randomly here and there the place appears to have been hit by a tornado.) Cut to inside a docking bay and pull back the Titans come in for a quick landing, and a flashlight beam plays across a dark, deserted, wrecked control panel. A large space station floats slowly into view and away from the camera, followed by the speeding T-Ship-rebuilt after its run-in with that bionic squid in "Wavelength", as Earth's orbit carries it onto the screen. (Opening shot: a stretch of outer space, empty except for the myriad of stars that shine in the distance.